Özet:

Today, the sound system is a 24-band sound system developed by Arel-Ezgi-Uzdilek, which is widely used in Turkish music. Another system that is used along with the 24 wheeled sound system is the 17 wheeled sound system system systemed by Safiyyûddin Urmevî. The sound intervals in the Turkish music office series were tried to be determined by building on the 24 edge system. There are differences between these sound systems and these differences are reflected in the performance of Turkish art music and Turkish folk music. According to the Arel-Ezgi-Uzdilek sound system, it is seen that a number of disputes arise when the current interfaces of the connection of the Turkish music offices with the interfaces of the curtain are examined. In the framework of the research, according to the Arel-Ezgi-Uzdilek sound system, the Turkish music from the simple office series with the Chargâh, Bûselik, Kurdî, Uşak, Huseynî, Râst and Hicaz office series, the current curtain structure of the connection has been compared and the differences that arise have been identified. In the study, according to the Arel-Ezgi-Uzdilek sound system, the Turkish music simple office series of the Chargah, Bûselik, Kurdî office series of the curtain range of the connectivity of the current curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range of the curtain range.

Anahtar Kelimeler:

Özet:

The sound system commonly used in Turkish music today is the 24-pitch sound system developed by Arel-Ezgi-Uzdilek. Another system used in conjunction with the 24-pitch sound system is the 17-pitch sound system systemized by Safiyyuddin Urmevi. Sound ranges in Turkish music makam sequences were tried to be determined by building on a 24-pitch system. There are differences between these sound systems, and these differences are also reflected in Turkish art music and Turkish folk music instruments. According to the Arel-Ezgi-Uzdilek sound system, when examining the pitch ranges of the Turkish music makam sequences and the current pitch ranges of the baglama, it is seen that a number of discrepancies arise. According to the Arel-Ezgi-Uzdilek sound system, the current pitch structure of the baglama was examined comparatively and the differences were determined from the simple makam sequences of Turkish music with the makam sequences of Çargah, Buselik, Kürdi, Uşşak, Huseyni, Rast and Hejaz. In the study, according to the Arel-Ezgi-Uzdilek sound system, the results were reached that the pitch intervals of the Çargah, Buselik, Kurdi makam series of Turkish Music match the existing pitch intervals of the baglama, and the pitch intervals of the uşşak, Huseyni, Rast, Hejaz makam series do not match, and suggestions for solving the problems arising from these results were presented.