Özet:

Sheikh Gâlib, not only of the revolution, but also of the strongest representatives of all Turkish literature, has written the Hüsnü Aşk mesnevisy in a short period of six months, while he is still twenty-six years old. Hüsnü Aşk, which is regarded as the 'standard of excellence' and 'point of turn' of our classical poetry, is recognized as one of the most beautiful and original traditions of classical Turkish literature. In fact, on this important work, many scientific publications and academic studies have been rejoiced so far. Some of these studies are focused on the pleasure and language translation/explanation of the Latin literary text of Hüsnü Aşk, while the other part is studying the work's excellence, language specificities and shaping characteristics and stands on the artistic aspect of Hüsnü Aşk. But when all these studies are studied, it is seen that the Mussvedde nishan of the Mussvedde line, which is located in No. 171 of the Suleimaniye Library of Hüsnü Aşk, was only used in the text; the work was not used in the determination of the language, style and art value. This is a must for Hüsnü Love - that is, a raw state - and it is very important to show how he is savings on the text when he writes the work of Sheikh Galib. In this study, Hüsnü Aşk's Musvedde nüshah in the Library of Suleymaniye will be compared with the other oldest historic written nüshahs of Sheikh Gâlib's how he wrote Hüsnü Aşk's, what stages he spent in writing and what savings he was in giving his work the last shape, from these savings will be found in some discoveries about the poetry of Sheikh Gâlib and the divan poets.

Anahtar Kelimeler:

Özet:

Considered to be one of the most powerful representatives of all Turkish literature, Sheikh Gâlib already authored the Hüsn ü Aşk mesnevi in six months when he was barely twenty six years old. Widely regarded as the ‘standard of excellence’ and ‘turning point’ of our classical poetry, Hüsn ü Aşk is hailed as being one of the finest and the most original mesnevi of classical Turkish literature. Indeed, many scientific publications and academic studies have been published on this important work. While some of these studies focus on the publication and interlanguage translation / explanation of the Hüsn ü Aşk text with the Latin alphabet, others examine the content, linguistic features and formal characteristics of the work as well as its artistic aspects. However, when all of these studies are examined, it is clear that it was the copy of the author’s manuscript found at Süleymaniye Library, Halet Efendi Department, No: 171, which was used for the transcription of the text into the Latin alphabet. But, this copy is a draft of Hüsn ü Aşk and it is very important for showing to what extent Sheikh Gâlib worked on the mesnevi while writing his work. The aim of this study, is to show how Sheikh Gâlib wrote Hüsn ü Aşk, what phases he used while writing the work, and what changes he made when he was nearing completion of the work with reference to the draft of Hüsn ü Aşk found at the Süleymaniye Library.