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40
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12
Bu çalışma Empresyonizmden Kübizme kadar ki dönemde Avrupa avangard sanatçıların eserleriyle Armory Show’da sergilenmesinin sonuçları açısından üstlenilen çabaların çeşitli safhalarda incelenmesini içermektedir. Gelenekçi sanatın objektif gerçekliğinin tam aksine Armory Show’da sergilenmiş olan yapıtlar, avangard sanatçıların soyutlamaya doğru bireysel yorumlamalarının eşsiz örneklerini oluşturuyordu. 1913’te Armory Show sergilenen modern sanat yapıtlarının gerçekçilik ölçütleri ilk başta kavrama güçlüğü çeken eleştirmen ve sanatçılarda ani bir öfke ve heyecana neden oldu. Sorunlar aşıldıkça Amerikan sanatı yirminci yüzyılın başlarında ortaya çıkan Avrupa’da görsel sanatlardaki değişimlere karşı cevap verdi. Sanat eleştirmenlerinin, Armory Show’da temsil edilen görsel sanatlardaki değişikliklere meydan okumaları zaman içinde estetik algı ve felsefelerini de değiştirmelerle yön buldu. Amerikan sanatçılarının yanı sıra Avrupalı modern sanatçıların yapıtlarının da yer aldığı Armory Show sergisi; Amerikan sanatını oluşturan Soyut Ekspresyonizm, Pop Art ve Minimalizm gibi sanat akımlarından önce ABD tarihinde modern sanatın ilk örneklerini temsil etmekteydi. Ulusal Tasarım Akademisi’ne meydan okuyan sanatçı Robert Henri ve Ashcan Okulu çevresinde toplanan gerçekçi hareket, “The Eight” grubunun 1908’de ABD’de devrim niteliğindeki sergisi, Alfred Stieglitz’in “Galeri 291”de Avrupalı modern sanatçıların eserlerini tanıtması, 1910’da “Bağımsız Sanatçılar Sergisi” New York sanat dünyasında yarattığı fırtınalar sanatçıların öncü çabaları olarak görülmektedir. Bu faaliyetler 1913 Armory Show sergisi tasarlama fikrine zemin hazırlayarak ABD’de avangard sanatın oluşmasında etkisi oldu.
This work, from the Empressionism to the Kübizme, includes the study of the efforts undertaken in various stages in terms of the results of the performance of European avant-garde artists and their works at the Armory Show. Contrary to the objective reality of traditional art, the works displayed at the Armory Show were unique examples of the individual interpretations of avant-garde artists towards abstraction. The realism criteria of modern art works displayed in the 1913 Armory Show originally caused sudden anger and excitement among critics and artists who were difficult to understand. As the problems overcome, American art responded to the changes in visual arts in Europe, which emerged in the early 20th century. The art critics challenged the changes in visual arts represented in the Armory Show and found the direction of changing their aesthetic perceptions and philosophies over time. The Armory Show, which includes American artists and works of European modern artists, represented the first examples of modern art in the history of the United States before the art flows such as Soyut Expressionism, Pop Art and Minimalism, which formed American art. The realistic movement gathered around the artist Robert Henri and the Ashcan School, challenging the National Design Academy, the revolutionary exhibition of the group "The Eight" in the United States in 1908, the introduction of Alfred Stieglitz's works of European modern artists in the "Gallery 291", the "Independent Artists' Exhibition" in 1910 is seen as the pioneering efforts of the artist's storms created in the New York art world. These activities were influenced by the formation of avant-garde art in the United States by preparing the ground for the idea of the 1913 Armory Show design.
This study includes the analysis of the efforts undertaken in terms of the results of the exhibition of the European avant-garde artists at the Armory Show in the period from Impressionism to Cubism. Unlike the objective reality of traditionalist art, the works exhibited at the Armory Show were unique examples of individual interpretations of avant-garde artists towards abstraction. The realism criteria of the modern works of art exhibited in the Armory Show in 1913 caused an abrupt anger and excitement among critics and artists who had difficulty at first grasping. As the problems were overcome, American art responded to changes in visual arts in Europe, which emerged in the early twentieth century. Art critics challenged the changes in the visual arts represented at the Armory Show, and in time, changed their aesthetic perception and philosophies. Armory Show exhibition, which includes works of European artists as well as American artists; Before art movements such as Abstract Expressionism, Pop Art and Minimalism, which constituted American art, they represented the first examples of modern art in the history of the USA. The realistic movement gathered around the artist Robert Henri and the Ashcan School, who challenged the National Academy of Design, “The Eight” group’s revolutionary exhibition in the USA in 1908, Alfred Stieglitz introducing the works of European modern artists in “Gallery 291”, 1910 Exhibition of Independent Artists seen as the pioneering efforts of artists. These activities had an impact on the creation of avant-garde art in the USA by preparing the ground for designing the 1913 Armory Show exhibition.
Alan : Eğitim Bilimleri; Filoloji; Güzel Sanatlar; Hukuk; İlahiyat; Sosyal, Beşeri ve İdari Bilimler; Spor Bilimleri
Dergi Türü : Uluslararası
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