Abstract:

In ancient Turkish, the +KIA attachment in Eastern Turkish was converted into +GINA / +KINA in the classical period.  Usually in ancient Turkish // voice is used as /y/ in Eastern Turkish: ko > go, ya- > yay- etc. But, as an exception, this sound continued in +KIA. +GINA / +KINA attachment comes to us as it has entered the famous and unknown harmonies in the classical era of Eastern Turkish: cānġına, yüzgine, yumruḳḳına, rootine, etc. In today's Uzbek Turkish, the addition comes to the words ending with k / ḳ, g /ġ in the form of +kinä / +qınä: small +kinä > small "small", såğ +ğınä> såqqınä "sağlamca". All the other words come as +ginä: båläginä “your child”, cånginäm “your life”. This additional function must be historical in today's Eastern Turkish, +CXk in Turkish, +CAğIz, +cAk, etc. As in the additions of minority, minority, compassion, love etc. It is used for the strengthening of the cover. This situation is clearly seen from the classical period in cānġınam "I will be" but from today in the words of xåläginäng "teyzeciğin", yumşåqqinä "mighty". In a poem, a gazel of the classical era may find a few words that contain this addition. In this case, it can be said that the words that are added with other words, of course, are used because it is necessary. But if a poet in a gazel brings this attachment to all the names he uses as a caffeine, the same way if this attachment uses the other words in the book, then we can say that the attachment is used as a consensus element in the poem, in addition to the known functions.

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