Abstract:

Space is a concept that takes place in architecture-cinema intersection and which is a base for both of the disciplines. Cinematic space, which can be counted as important as an actor for cinema, is an element in architecture that organizes human life and makes it meaningful. Different from other types, Science fiction cinema presents utopic and dystopic future foresights which differs radically from today's modern description. Improving technology starting from the 1980s has introduced a sub-branch called Cyberpunk by affecting the science fiction cinema base. While presenting a critical approach to basic changes faced in the modern public, Cyberpunk discusses the near future foresight, hi-tech, miserable life, chaotic world subjects and creates its own spaces. "The Island" film directed by Michael Bay has an important place among the contemporary movies having Cyberpunk movement in science fiction cinema. Movie criticizes capitalism with a pessimistic scenario in which it shows even human body can be commodified from his body and how he can be shaped with a control of giant companies. Movie of 2005 makes dystopic near future foresight to 2019. In the movie, legalizing human cloning by ignoring the social and ethical values for continuation of the individuals of high-income group’s effects on public and identifying these clons as a product not a human are the points in question. Personal, public and semi-public spaces in the movies are the spaces that were stereotyped physically and psychologically and under the observance of the government. In this concept, the aim of the study is to evaluate by discussing the concepts of time, space and body in Cyberpunk as a sub-culture according to "The Island" movie in architecture and cinema intersection.

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