Abstract:

Modern narrative species that began to be seen with the Tanzimat period, in the literature produced by the Northern Macedonian Turks II. After the World War, he mostly shows himself. Political developments are effective. The literature in the area is based on poetry and story. The novel is very backward. The Walking Wall was published in 2008 as the first Turkish novel written and published in the Balkans. In Islam, we see the concepts of Tasavvufi. It is about a century after Muhammad's death. The traces of melamics can be found from the 9th century. The fact that the Islamization of the Turks was equal to the same period has been influential in the formation of the Turkish tasavvuf concept on Melamity. The perception of Muslimism by the Turks is largely coded and culturally internalized in this way. At the beginning of the concepts of Tasavvufi from Central Asia, which attempts to reach the "camil man" on the basis of the Vahdetivujudu, comes the Begtasilik. Melamism and Bektaşism have been the guide of Islamic life, especially on the public level. It can be seen that Tasavvufun or personalities related to him are also included in the fiction of the Turkish novel with postmodernism. Specifically, Moveality and its important characters can be remembered as an example. In this context, Melamics and Behavior can be considered to shape the elements of the novel on the Walking Wall. The purpose of the research is to reveal how Melamics and Beaconism, a way of life, reflects the novel. For this purpose, the content analysis technique of the quality research methods has been used. The name of the novel, cover, consists of twelve sections and the non-compliance with the rules of the imla is seen as a reflection of the external structure of the novel. This situation shows itself in two ways. The first is the history narrative and the biographical narrative that is parallel to it. The main names of these religious concepts and other names the author indirectly associates with these concepts (Hacı Bektaş Veli, Muhammad Nûr'l Arabî, Kaygusuz Abdal, Pir Sultan Abdal, Abdal Musa, Yunus Emre, Mevlâna) have an important place in the narrative. In addition to the religious aspects of these personalities, as well as the literary aspects in the novel multiplies the text between them. Their use of literature has made their messages effective in modern times. So they are both in the Wall Walking with their lives and works. The second is, in particular, the characteristic of the novel and the characteristic of the novel. The great hero of the novel, Baktaşilik and Melamilik, was transferred to Yörük Osman from his family. Yörük Osman believes that in the early years of his youth he could identify himself by recognizing these religious concepts. These Islamic concepts, which are an important place in the belief of a Balkan Circle, and their representatives are placed in the novel. This is why in the novel there is a story that is unmistakable. In the Balkans, Ilhami Emin, who feels the pride of being a Circle, is not afraid to defend this feeling as a thesis (although it leads to weaknesses in the novel philosophy). For the animals, especially for the 2nd. Despite all the difficulties after the World War, they continued their struggles to exist in these lands.