Abstract:

Scenic anxiety has been a common field of work for many disciplines in which this anxiety has been influenced by the work of the executive alone, before he comes to the stage, during the performance on the stage and during the processes he lives after. When the source of anxiety, causes and methods of management of anxiety are revealed in the context of the emotions, thought relationships and physiological interactions that reveal behavior, the executive will lead to a faster and more effective way in overcoming the scene anxiety that negatively affects performance. In the process of self-expression, while calling out of the inner world, the excitement he experiences should be noticed and managed without going to the level of anxiety. Otherwise, the art transmission, which may be one of the highest levels, the most beautiful and meaningful sharing between people, and the pleasure that is taken from this sharing will unfortunately cause negative emotions produced from a mutual unbearable relationship. It will even be able to reach destructive dimensions for the executive. The traitor must master the anxiety management techniques that are effective in perception, behavior and direction, and must study which method is healthier for himself. More importantly, when performing his art, he must also question the value and existence of self by discussing what the process means for himself.

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