Özet:

The topic of court criticism coupled with severe warnings about the dangers of a royal dictator or tyrant was well represented in medieval and early modern literature. Despite our common assumptions about the harmony and idyllic nature of King Arthur’s court and the knights of the Round Table, a closer analysis quickly reveals the horrendous problems vexing medieval society (and our own, perhaps). However, medieval poets were careful not to take off their masks when they depicted evil rulers because they normally depended on their patrons. Nevertheless, the criticism of the evil ruler, and then especially of the criminally minded royal councilor (such as in the much later case of Iago in Shakespeare’s Othello) finds vivid expression in more medieval texts than we might have assumed. After a survey of dramatic cases from pre-modern literature as a basis for the subsequent analysis, this article focuses on the Middle High German version of the Old French Roman de Renart by Heinrich der Glîchezâre (late twelfth century) where the protagonist, the fox Reinhart, operates with astounding intellectual acumen and sophistication to deceive, betray, hurt, and even get his opponents killed without any bad conscience.

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