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Mimar Sinan’ın eserlerinde yapının mimari özelliklerini vurgulayarak yapıyla organik bir bağ oluşturan çini, klasik dönem Osmanlı mimarisinin başta gelen süsleme unsurudur. Çiniyle bezeli yapılar genellikle başkent İstanbul ve Edirne’de yoğunlaşmıştır. Ege Bölgesi’nde bulunan tek Mimar Sinan eseri olan Muradiye Camii, şehzadeler kenti olarak bilinen Manisa’nın en önemli mimari yapısıdır. Camide 16. yüzyıl mimarisindeki tüm süsleme türlerini görmek mümkünse de bunların arasında en ilgi çekici olanı çinilerdir. Bu makalede, caminin çini sanatının en olgun dönemine ait olan çok renkli kırmızılı sıraltı tekniğinde işlenmiş olan çinileri, fotoğraf ve çizimlerle ele alınarak değerlendirilmiştir.
Tile, which creates an organic connection with the buildings by emphasizing the architectural features of the building in Architectural Sinan monuments, is the leading decoration element of the classical period Ottoman architecture. Tiled monuments are generally concentrated in Istanbul and Edirne. Muradiye Mosque, the only work of Architect Sinan in the Aegean region, is the most important architectural monument of Manisa, known as the city of princes. Although it is possible to see all kinds of decoration in the 16th century architecture, the most important of these are the tiles. In this paper, the tiles of the mosque, which belong to the most mature period of tile art, processed in multi-colored red underglaze technique are examined with photographs and drawings.
Tile, which creates an organic connection with the buildings by emphasizing the architectural features of the building in Mimar Sinan monuments, is the leading decoration element of the classical period Ottoman architecture. Tiled monuments are generally concentrated in Istanbul and Edirne. Muradiye Mosque, the only work of Mimar Sinan in the Aegean region, is the most important architectural monument of Manisa, known as the city of princes. Although it is possible to see all kind of decoration in the 16th century architecture, the most important of these are the tiles. In this paper, the tiles of the mosque, which belong to the most mature period of tile art, processed in multi-colored red underglaze technique are examined with photographs and drawings.
Field : Ziraat, Orman ve Su Ürünleri; Spor Bilimleri
Journal Type : Uluslararası
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