Some researches conducted within the last century showed that perspective or vision conformed not only to physiological but also a mental perception process. Photographic image can only reflect some features of reality, mind completes the rest of that with the things which it associates or information which it already has formerly. It is impossible to mention a perception which doesn’t pass through the mental process. Image cannot replace of the real or reality, at the most, it can be an image of a very small aggregate of the real or reality as far as it can reflect. Cinematographic reality is a fiction and the ways that give the reality to this fictional image get through the auditory, visual and fictional regulations. In other words, film tries to convince the audience to believe the reality of fictional reality space. How is the relationship between cinematographic reality and the concrete real space? Or how do the concrete occurrences turn into a film? In this context, this paper has analyzed the relation of image and reality through examples of films.]]>
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Alan : Eğitim Bilimleri; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Ulusal
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