Özet:

Pottery, which is a functional, symbolic, aesthetic and artistic production in which basic elements such as air, water, earth and fire are integrated with human hands, has been an indispensable cultural element that has carried all past times to the future for centuries. Ceramics production, which keeps a 9000-year history in sight from the Neolithic Age to the present, is indisputably a rich cultural heritage of Anatolia with its archaeological, ethnographic and cultural richness. As a result of the archaeological researches, the Lakes Region, where the Neolithic Period with ceramics and post-period periods were experienced, presented us with examples of terracotta of almost every period. . Anatolian primitive pottery, which extends from the period after the pottery pottery (Uruk, 3500 BC) to the present day and has been tried to be resisted, is an important cultural heritage. The fact that an archaeological phenomenon extends to the present day without any deterioration for thousands of years reveals a remarkable cultural value. When we take a cross-section in this context, we can cite the primitive pottery living in Isparta. As in many centers in the Lake District, pottery culture still lives. Besides, in our national folklore, folk songs, poetry, etc. Pottery, which is also the subject of our values, is not exactly where it deserves in the context of Intangible Cultural Heritage (SOKÜM). When we look at the Western SOKUM inventories, we see that pottery is widely included in the cultural casting lists, although they met with pottery culture much later than us. In this article, it is aimed to explain that Isparta pottery is an important element of our cultural heritage with its local production style and traditional structure before Anatolian pottery.