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Dede Korkut Hikâyeleri, Türk toplumunun kültürel kodlarını anlatı geleneğine dönüştüren başyapıtlarından biridir. Bu anlatılar, Türk insanının düşünüş ve duyuş tarzını destansı bir anlatımla ebedileştirir. Dede Korkut Hikâyeleri’nde otağ, insan ve mekân ilişkisini ifade eden arketipsel bir semboldür. Ev/otağ, Türk insanının geleneksel inanışlarıyla fiziksel doğumunu ruhsal doğumuyla tamamlayan, otantik gelişimini ve aslî kimliğini yansıttığı özel ve simgesel bir mekândır. Ev/otağ, özel mekânın ve aitliğin simgesel göstergesidir. Kendini ait hissetme olgusunun dönüşüm formudur. Anne arketipi, dişil bir imge olarak ocak/yuva bağlamıyla aileyi sembolize eder ve yurt arketipiyle de ilişkilidir. Yurt arketipi, aitlik ve ilksel mekân bağlamını taşıyan ezelî bir imgedir. Türk kültüründe ev/yuva ocaktır ocağın ateşi ve dumanının tütmesi yönüyle ocak, aileye benzetilir. Kırmızı güney yönlüdür ve gücü, kuvveti, ateşi sembolize eder. Sıcak ve canlı olan kırmızı/al renk Dede Korkut Hikâyeleri’nde kadını, gücü, aileyi ifade eder. Dede Korkut Hikâyeleri’nde otağ olgusal mekân bağlamıyla sembolik bir dil koduna dönüşür. Otağ mekânı toplumsal düzenin ve kültürel kimliğin taşıyıcısı olarak olay örgüsünde anlamlar üretir. Türk toplumunun değerleriyle ve gelenekleriyle dizayn edilen otağ/çadır yuva bağlamıyla yeryüzü ve gökyüzü arasında kendini ifade etmeye çalışan göçebe bir toplumun kültürel mekânını ifade eder. Bu çalışmada Dede Korkut Hikâyeleri’nde otağ/çadır mekânıyla simgeleşen anne arketipi ve yurt imgesi hikâyelerden örneklerle açıklanmıştır. Mekânın geleneksel bir dokuyla aktardığı aile ve ocak ifadeleri özel alan bağlamıyla yorumlanmıştır. Ayrıca hikâyelerden hareketle otağın anlamsal dönüşümlerle kahraman ve kahramanın eylemlerine yön veren sembolik okumaları çözümlenmiştir. Çalışmada edebî eserlerin çözümlenmesinde kullanılan yorum bilim yöntemi kullanılmıştır.
Dede Korkut Stories is one of the masterpieces that transformed the cultural codes of the Turkish society into a narrative tradition. These stories perpetuate the Turkish people's way of thinking and feeling with a distant narrative. It is an archaeological symbol in the Stories of Fear that expresses the relationship between man and space. The house/city is a particular and symbolic place where the Turkish people complete their physical birth with their traditional beliefs with their spiritual birth, and reflect their authentic development and original identity. The house/story is a symbolic indicator of the private space and property. It is a transformation of the feeling of self. The mother archetype symbolizes the family as a female image in the January/Yuva context and is also related to the country archetype. It is an archaeological land, a land, a land, a land, a land, and a land. In Turkish culture, the house/yava is the fire of the oak and the smoke in the direction of the January, the family is similar. The red is south-oriented and symbolizes power, strength, fire. The hot and vibrant red/blue color in Grandma's Horror Stories expresses the woman, power, family. In the Grandfather's Horror Stories, the hole turns into a symbolic language code with the real space context. It produces significance in the event organization as a carrier of social order and cultural identity. Designed with the values and traditions of the Turkish society, the castle/tard is the cultural place of a migratory society seeking to express itself between the earth and the sky. In this study, Mom's Horror Stories are described with examples of the mother's archetype and land image stories symbolized by the room/tent place. The family and January expressions that the place translates with a traditional fabric are interpreted in a special field context. Also, the symbolic readings that directed the actions of the hero and hero with the meaningful transformations of the plot by moving from the stories have been resolved. The scientific method used in the analysis of literary works was used.
Dede Korkut Stories is one of the masterpieces of Turkish society that transform cultural codes into narrative tradition. These narratives eternalize the way of thinking and hearing of the Turkish people with an epic expression. In the Dede Korkut Stories, grass ia an archetypal symbol that expresses the relationship between man and place. The house is a special and symbolic place where the Turkish people reflect their authentic development and essential identity, complementing their physical birth with the spiritual birth. The house is the symbolic sign of private place and belonging. It is the transformation form of the feeling of self-belonging. The mother archetype, as a feminine image; it symbolizes the family in the context of the hearth / nest and is also associated with the marquee archetype. The marquee archetype is a unique image that carries the context of belonging and primeval place. In the Turkish culture, the home / nest is the hearth; hearth is similar to the family in terms of fire and smoke smoking. The red is south oriented and symbolizes power, strength, fire. The warm and lively red / reddish color refers to the woman, power and family in the Dede Korkut Stories. In Dede Korkut Stories, the autonomy becomes a symbolic language code with the context of factual place. Marquee place creates meanings in the plot as a carrier of social order and cultural identity. A marquee / tent designed with the values and traditions of Turkish society; expresses the cultural location of a nomadic society trying to express itself between the nest context and the earth and the sky. In this study, the mother archetype and home image symbolized by the marquee / tent in Dede Korkut Stories were explained with examples from the stories. The family and hearth expressions that the place conveyed with a traditional texture are interpreted in the context of the private sphere. In addition, from the stories, the symbolic readings of the system that direct the actions of the hero and the hero through semantic transformations have been analyzed. In the study, the interpretation science method used in the analysis of literary works was used.
Alan : Güzel Sanatlar; Sosyal, Beşeri ve İdari Bilimler
Dergi Türü : Ulusal
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